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The Age of Bronze is a sensuous male nude so lifelike that when it was shown in the Salon of 1877 rumours circulated that it was not a work of fine art at all, but cast from the body of a living model. To eyes accustomed to the conventions of beaux-arts classicism, the sculpture was shocking because it peeled off a layer of artifice to show the human body as it really is, not as his viewers expected to see it. From now on, Rodin would translate as directly as possible into clay what his eye saw and, in the sensuously tactile surfaces of his work, what his hand felt when he caressed the bodies of his female models.